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Gay Atlanta also contained information about the clubs, restaurants, and performers that appear in many of our oral histories. Begun in 1937, the guide featured entertainment and attractions, points of interest, jokes, a downtown map, and local information. Our collections also include some less obvious but still vital sources, such as the city's first nightlife magazine, Gay Atlanta. Having established a strong rapport with Barbara Vogel and her partner, Charlene McLemore, we were elated when she donated the albums to the research center.
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While reflecting on her early years, Vogel revealed that her mother, Dorothy Vogel, had had a series of female partners-all documented in three photo albums, the earliest dating to 1918. One particularly gripping example occurred during an oral history interview with Atlanta resident Barbara Vogel, who was born in Crawford Long Hospital in May 1939. At times, the oral history and archival efforts have reinforced each other in unexpected ways. The center has also begun intensive outreach to bolster this significant repository of LGBT archival resources, including photographs, personal papers, and organizational records. Though the organization dissolved in the late 1990s, its collection forms the cornerstone of the research center's LGBT collections. The center began collecting in the early 1990s with the help of the Atlanta Lesbian and Gay History Thing, Inc., a nonprofit group dedicated to the preservation of the city's queer history. Considerable work remains to locate, acquire, preserve, and make available source materials, especially those documenting African Americans' and women's lives and experiences.Īn ongoing oral history project at the Kenan Research Center has marked an important step in that direction.
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The city has become the southern regional center for LGBT culture, and several local institutions contain valuable source materials on the LGBT community, past and present, including the Kenan Research Center at the Atlanta History Center ( Emory University ( and Georgia State University ( Despite current acquisition efforts at these institutions, there remains little accessible documentation of the lives of LGBT women and men in Atlanta and the South during much of the early 20th century. Since the late 1960s and early 1970s, Atlanta has created an ever-growing infrastructure of businesses, entertainment venues, political organizations, social networks, and a publishing industry. Throughout much of its modern history, Atlanta has acted as a magnet for gays and lesbians, attracting them for personal, professional, and political reasons. LGBT Collections at the Kenan Research Center Stories like these also capture viewers' attention and spark their imagination as they discover a little known aspect of Atlanta's social and cultural history. But their story is significant as a poignant reminder of the vital role oral history has played in recovering the experiences of LGBT women and men. It is my wish that you should keep this…until the day when we both will smile and say ‘hello' again."
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In response, Whittaker received a letter, along with the poem in which Mitchell declared: "I have no poetic pretensions, but I write here in poetic form because I find it lends emphasis to feelings I would have you fully understand. Whittaker later wrote Mitchell, thanking him for the trip and expressing his affection. Shortly after the two traveled to London, Mitchell was discharged from the Army for his homosexuality. Whittaker and Mitchell forged a bond while serving in the military, and Mitchell introduced Whittaker to the gay social scene. Whittaker, an African American born in Montgomery, Alabama, on February 3, 1942, spoke of his relationship with Mitchell in a series of oral history interviews conducted for the exhibit. Whittaker III, conveying a quiet dignity in an era typically characterized as dangerous and frightening for homosexuals. Mitchell wrote "Pro Dico" as an expression of his desire and affection for fellow soldier William J. The Unspoken Past: Atlanta Lesbian and Gay History, 1940–1970, a 2005 exhibition at the Atlanta History Center, included a simple poem written by soldier Thom W.